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Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and slept in your house for hours on end and gave birth to leverets in your study. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality.

In February 2021, Dalton stumbles upon a newborn hare—a leveret—that had been chased by a dog. Fearing for its life, she brings it home, only to discover how impossible it is to rear a wild hare, most of whom perish in captivity from either shock or starvation. Through trial and error, she learns to feed and care for the leveret with every intention of returning it to the wilderness. Instead, it becomes her constant companion, wandering the fields and woods at night and returning to Dalton’s house by day. Though Dalton feared that the hare would be preyed upon by foxes, stoats, feral cats, raptors, and even people, she never tried to restrict it to the house. Each time the hare leaves, Chloe knows she may never see it again. Yet she also understands that to confine it would be its own kind of death.

Raising Hare chronicles their journey together, while also taking a deep dive into the lives and nature of hares, and the way they have been viewed historically in art, literature, and folklore. We witness first-hand the joy at this extraordinary relationship between human and animal, which serves as a reminder that the best things, and most beautiful experiences, arise when we least expect them.

Long before the Moneyball-era, the Earl of Baltimore reigned over baseball. History’s feistiest and most colorful manager, Earl Weaver transformed the sport by collecting and analyzing data in visionary ways, ultimately winning more games than anybody else during his time running the Orioles from 1968–1982.

When Weaver was hired by the Orioles, managers were still seen as coaches and inspirational leaders, more teachers of the game than strategists. Weaver invented new ways of building baseball teams, prioritizing on-base average, elite defense, and strike throwing. Weaver was the first manager to use a modern radar gun, and he pioneered the use of analytical data. By moving 6’4” Cal Ripken, Jr. to shortstop, Weaver paved the way for a generation of plus-sized superstar shortstops, including Alex Rodriguez and Derek Jeter. He foreshadowed almost everything that Bill James, Billy Beane, Theo Epstein, and hundreds of other big brain baseball types would later present as innovation.

Beyond being a great baseball mind, Weaver was a rare baseball character. Major League Baseball is show business, and Weaver understood how much of his job was entertainment. Weaver’s outbursts offered players cathartic relief from their own frustration, signaled his concern for the team, and fired up fans. In his frequent arguments with umpires, he hammed it up for the crowds, faked heart attacks, ripped bases out of the ground, and pretended to toss umpires out of the game. Weaver also fought with his players, especially Jim Palmer, but that creative tension contributed to a stunning success, and a hilarious clubhouse. During his tenure as major league manager, the Orioles won the American League pennant in 1969, 1970, 1971, and 1979, each time winning over 100 games.

The Last Manager uncovers the story of Weaver’s St. Louis childhood with a mobster uncle, his years of minor league heartbreak, and his unlikely road to becoming a big league manager, while tracing the evolution of the game from the old-time baseball of cross-country trains and “desk contracts” to the modern era of free agency, video analysis, and powerful player agents. Weaver’s career is a critical juncture in baseball history. He was the only manager to hold a job during the five years leading up to, and five years after, free agency upended baseball in 1976.

Weaver was inducted into the Baseball Hall of Fame in 1996. In his retirement, he even admitted that “if he had been an umpire, he would have thrown himself out of more games than he actually was.” Belligerent, genius, infamous—The Last Manager tells the story of one man who left his mark on the game for generations.

Andy Samberg in a giant martini glass. Billie Eilish peeking out of a pile of snow. Kevin Hart writing his own cue cards. Paul Rudd as Paul McCartney. Sarah Silverman dusting the NBC marquee. Alec Baldwin as the Godfather.

These are just a few examples of Matthews's bold, dynamic, and playful celebrity portraits that for over two decades have artfully highlighted the hosts and musical guests who help bring the show to life.

Week after week, photographer Mary Ellen Matthews makes magic happen on Saturday Night Live with her inventive, irreverent, and truly original photography for the “bumpers”—portraits of the host or musical guest that transition the show to and from commercial breaks.

Published on the occasion of the 50th anniversary of SNL and exquisitely designed by Pentagram, this book is the first collection of Mary Ellen’s remarkable body of work as well as a celebration of America’s longest-running comedy TV show.

Includes:
* More than 200 color portraits and behind-the-scenes photographs
* A foreword by SNL founder and executive producer Lorne Michaels
* Mary Ellen Matthews in conversation
* A thumbnail index of all the images with captions by the photographer

How do we live compassionately in a time of violence and despair? What can we do with our private disappointments and the anger we feel in such an unjust world? In his most personal book yet, Richard Rohr turns to the writings of the Jewish prophets, revealing how some of the lesser-read books of the Bible offer us a crucial path forward today.

The prophets’ writings reflect the full spectrum of human maturity. In almost every case, their initial rage and their accusatory words evolve into a profound pathos and lamentation about our shared human condition and the world’s suffering. Through astute critiques of culture and institutions, and their journey from anger to sadness, and ultimately compassion, the prophets exemplify what Rohr calls “sacred criticism”—a distinct approach to confronting evil and injustice that acknowledges the wholeness of history, the interconnectedness of every living being, and the reality of a divine and universal love. In this, they set the stage for Jesus, who follows this identical pattern.

Drawing on a century of biblical scholarship and written in the warm, pastoral voice that has endeared Rohr to millions, The Tears of Things breathes new life into ancient wisdom. It paves a path of enlightenment for anyone seeking a compassionate way of living in a hurting world.

Halla has unexpectedly inherited the estate of the wealthy distant uncle she's been caring for for the past decade. Unfortunately, she is also saddled with money-hungry relatives full of devious plans for how to wrest the inheritance away from her.

While hiding in her bedroom to escape her family, Halla inspects the ancient sword that's been collecting dust on the wall since before she moved in. On a whim, she pulls it down and unsheaths it—and suddenly a man appears in her bedroom. His name is Sarkis, he tells her, and he is an immortal warrior trapped in a prison of enchanted steel.

Sarkis is sworn to protect whoever wields the sword, and for Halla—a most unusual wielder—he finds himself not fending off grand armies and deadly assassins but instead everything from kindly-seeming bandits to roving inquisitors to her own in-laws. But as Halla and Sarkis become closer, they overlook the biggest threat of all—the sword itself.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The campaign of destruction that Axel Soledad and Dallas Cates wreaked on Nate Romanowski and Joe Pickett left both men in tatters, especially Nate, who lost almost everything. Wondering if the civilized life left him vulnerable to attack, Nate dropped off the grid with his falcons in tow to prepare for vengeance.

When Joe gets a call from the governor asking for help finding his son-in-law, who has gone missing in the Sierra Madre mountain range, he enlists the help of a local, a rookie game warden named Susan Kany.

As Nate and fellow falconer Geronimo Jones circle closer to their prey, Joe and Susan follow the nearly cold trail to Warm Springs. Little do Nate and Joe know that their separate journeys are about to converge . . . at Battle Mountain.

All or Nothing takes readers on a journey accompanying Donald Trump on his return to power as only Michael Wolff, the foremost chronicler of the Trump era, can do it. As Trump cruelly and swiftly dispatches his opponents, heaps fire and fury on the prosecutors and judges who are pursuing him, and mocks and belittles anyone in his way, including the president of the United States, this becomes not just another election but perhaps, both sides say, the last election. The stakes could not be clearer: Either the establishment destroys Donald Trump, or he destroys the establishment.

What soon emerges is a split-screen reality: On one side, a picture that could not be worse for Trump: an inescapable, perhaps mortal legal quagmire; on the other side, an entirely positive political outlook: overwhelming support within his party, ever-rising polling numbers, and lackluster opposition. Through personal access to Trump’s inner circle, Wolff details a behind-the-scenes, revealing landscape of Trumpworld and its unlikely cast of primary players as well as the candidate himself, the most successful figure in American politics since, arguably, Roosevelt, but who might easily seem to be raving mad.

Threading a needle between tragedy and farce, the fate of the nation, the liberal ideal, and democracy itself, All or Nothing paints a gobsmacking portrait of a man whose behavior is so unimaginable, so uncontrolled, so unmindful of cause and effect, that it defeats all the structures and logic of civic life. And yet here in one of the most remarkable comebacks in American political history, Trump is victorious. This is not just a story about politics: It is a vivid exposé of the demons, discord, and anarchy—the fire, fury, and future—of American life under Trump.

On October 25, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet has been viewed more than 10 million times.

As an immigrant who came to the West, El Akkad believed that it promised freedom. A place of justice for all. But in the past twenty years, reporting on the War on Terror, Ferguson, climate change, Black Lives Matter protests, and more, and watching the unmitigated slaughter in Gaza, El Akkad has come to the conclusion that much of what the West promises is a lie. That there will always be entire groups of human beings it has never intended to treat as fully human—not just Arabs or Muslims or immigrants, but whoever falls outside the boundaries of privilege. One Day, Everyone Will Have Always Been Against This is a chronicle of that painful realization, a moral grappling with what it means, as a citizen of the U.S., as a father, to carve out some sense of possibility in a time of carnage.

This is El Akkad’s nonfiction debut, his most raw and vulnerable work to date, a heartsick breakup letter with the West. It is a brilliant articulation of the same breakup we are watching all over the United States, in family rooms, on college campuses, on city streets; the consequences of this rupture are just beginning. This book is for all the people who want something better than what the West has served up. This is the book for our time.

There’s a woman I want to become, Chelsea Handler thought as a child. She’ll be strong and confident. She’ll light up a room and spread that light to make others feel better. She’ll make a living being herself. She’ll be a survivor. 

At ten years old, Chelsea opened a lemonade stand and realized she’d make more money if the drinks were spiked. So she added vodka to her recipe and used her earnings to upgrade herself to first-class on a family vacation—leaving her parents and siblings in coach. She moved to Los Angeles and got fired from her temp job when she admitted she didn’t know how to transfer calls. She’s played pickleball with the scions of an American dynasty. She’s sexted a governor. She shared psychedelics with strangers in Spain. When she accidentally ended up at dinner with Woody Allen, she was not going to leave the table without asking him a very personal pointed question. She went on national television and talked about having threesomes. She's never been one to hold back. 

But this life of adventure and absurdity is only part of her story. Chelsea knows what it is to truly show up for her family—canine and human, biological and chosen. She’s discovered how to spend time with herself, how to meditate, how to be open to love, and how to end a relationship with dignity. She is a sister to the many women who rely on her.

Surprisingly vulnerable and always outrageous, Chelsea Handler captures the antic-filled, exhilarating, and joyful life she’s built—a life that makes the rest of us think, I’ll have what she’s having.

A winter sunrise over the great plains of Russia is no cause for celebration. The temperature barely rises above zero, and the guards at Penal Colony IK22 are determined to take their misery out on the prisoners—chief among them, one Zoya Zakharova. Once a master spy for Russian foreign intelligence, then the partner and lover of the Gray Man, she has information the Kremlin wants, and they don't care what they have to do to get it.

But if they think a thousand miles of frozen wasteland and the combined power of the Russian police state is enough to protect them, they don't know the Gray Man. He's coming, and no one's safe.